nami rose
Born in Kobe, Japan and now based in New York City, Nami is a creativer producer, researcher, and writer whose work considers relationships between the fluid circulation of stories, social imagination, and survival in contexts of asymmetrical power. Her work and research have been supported internationally, from Fulbright and Projects for Peace to Sony Music and the UK Research Institute. Currently an RSC Interdisciplinary Fellow, Nami explores the potential of storytelling to displace distortive visual frames and articulate alternative, multiplicitous narratives about self and place. With critical interests in the exchange of ideas, identity, and culture, she exercises a deep commitment to community and collective care through her work across global networks.
Read more about my work and selected grants, residencies, and press here.
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See my ongiong research through the Royal Shakespeare Company iF Fellowship here:
Click or keep scrolling for select works:
Selected Projects & Press
2024 Oxford University “The Royal Shakespeare Company launches international research project to explore the future of creative practice”. Oxford, UK.
2024 The Stage, “RSC announces nine fellows to lead research into sector's 'survival and growth’” by Georgia Luckhurst.
2024 “AHRC-funded international creative research projects launched”. UK Research and Innovation Arts. London, UK.
2024 “New fellows explore the big questions facing the creative and cultural sector”. Royal Shakespeare Company. Stratford, UK.
2024 Documentary score. Flood of Memory. Manzanar, CA.
2024 International Exhibition. “Contemporary Landscape 2024” CICA Museum. Seoul, South Korea.
2024 Solo Exhibition. 「灯台下暗し」 Osaka, Japan.
2023 Solo Exhibition. “they never told us these things,” Barnard College Movement Lab. New York, New York
2023 azine: an Asian/American queer & women’s art collective. Issue 1. Self-published magazine.
2023 Bwog “Speaking The Unspeakable: Nami Weatherby’s “they never told us these things”” by Marino Bubba
2023 Columbia Spectator “CSER Student Advisory Board, AZINE hosts teach-in on center departmentalization” by Amanda Chapa
2022 Athena Showcase. Talk given. “Unmapping Logics of Conquest: Intimacies between Stories of Irradiation from the African Congo, the Northwest Territories, Navajo Territory, and the Bikini Atoll”
2022 Barnard Movement Lab “Nami Weatherby”
2024 Oxford University “The Royal Shakespeare Company launches international research project to explore the future of creative practice”. Oxford, UK.
2024 The Stage, “RSC announces nine fellows to lead research into sector's 'survival and growth’” by Georgia Luckhurst.
2024 “AHRC-funded international creative research projects launched”. UK Research and Innovation Arts. London, UK.
2024 “New fellows explore the big questions facing the creative and cultural sector”. Royal Shakespeare Company. Stratford, UK.
2024 Documentary score. Flood of Memory. Manzanar, CA.
2024 International Exhibition. “Contemporary Landscape 2024” CICA Museum. Seoul, South Korea.
2024 Solo Exhibition. 「灯台下暗し」 Osaka, Japan.
2023 Solo Exhibition. “they never told us these things,” Barnard College Movement Lab. New York, New York
2023 azine: an Asian/American queer & women’s art collective. Issue 1. Self-published magazine.
2023 Bwog “Speaking The Unspeakable: Nami Weatherby’s “they never told us these things”” by Marino Bubba
2023 Columbia Spectator “CSER Student Advisory Board, AZINE hosts teach-in on center departmentalization” by Amanda Chapa
2022 Athena Showcase. Talk given. “Unmapping Logics of Conquest: Intimacies between Stories of Irradiation from the African Congo, the Northwest Territories, Navajo Territory, and the Bikini Atoll”
2022 Barnard Movement Lab “Nami Weatherby”
Selected Residencies & Grants
2024: iF Fellowship. (international consortium comprised of MIT, Oxford, Stanford, Royal Shakespeare Company, Watershed, Brooklyn Academy of Music, The Music Center).
2023: Digital Innovation Fellow. Digital Innovation Initiative, Performing Arts Center of Los Angeles.
2023: Sony Music Spring 2023 Audition Jury Prize
2023: Fulbright Scholarship. The U.S. Fulbright Association
2023: Projects for Peace Grant. Middlebury College
2023: Phi Beta Kappa Inductee Barnard College, Columbia University
2023: Barnard College Exemplary Writing Archives Inductee for “Biting Down on a Double-Edged Promise of Liberation: Popular Jazz Performance & Embodied Inflections of Agency in the Allied Occupation of Japan 1945-53”
2022: Lucyle Hooke Travel Grant
2022: CJC For the Arts Grant
2022-2023: Movement Lab: Artist-in-Residence
2022: Athena Fellowship
2024: iF Fellowship. (international consortium comprised of MIT, Oxford, Stanford, Royal Shakespeare Company, Watershed, Brooklyn Academy of Music, The Music Center).
2023: Digital Innovation Fellow. Digital Innovation Initiative, Performing Arts Center of Los Angeles.
2023: Sony Music Spring 2023 Audition Jury Prize
2023: Fulbright Scholarship. The U.S. Fulbright Association
2023: Projects for Peace Grant. Middlebury College
2023: Phi Beta Kappa Inductee Barnard College, Columbia University
2023: Barnard College Exemplary Writing Archives Inductee for “Biting Down on a Double-Edged Promise of Liberation: Popular Jazz Performance & Embodied Inflections of Agency in the Allied Occupation of Japan 1945-53”
2022: Lucyle Hooke Travel Grant
2022: CJC For the Arts Grant
2022-2023: Movement Lab: Artist-in-Residence
2022: Athena Fellowship
select projects as producer, live events & installations
BLKNWS in-residence
June - August 2024
The Music Center. Los Angeles, CA
BLKNWS in-residence was a residency program expanding on the original two-channel video installation and precursor to filmmaker Kahlil Joseph's highly anticipated feature film BLKNWS: Terms and Conditions, produced in collaboration with A24 and Participant Media. In addition to BLKNWS, Kahlil is known for directing videos for Beyonce, Kendrick Lamar, and FKA Twigs and as creative director of the Underground Museum.BLKNWS Bookstore and Reference Library (2024)
BLKNWS Comedy Night (2024)
BLKNWS Comedy Night transformed the Dorothy Chandler Pavilion’s Founders’ Room into the legendary Garvey Lounge for an unforgettable evening of laughter. Hosted by comedian Alzo Slade, the event featured standout performances by Amberia Allen, Peter Kim, Zainab Johnson, Shapel Lacey, and Aida Rodriguez. With a dynamic lineup of some of the best stand-up comics on the scene, this free event delivered an unforgettable night of humor and entertainment.Read the Garden, hosted by Reparations Club (2024)
Read the Garden offered a relaxing and communal reading experience in The Garvey Garden on Jerry Moss Plaza. Hosted by Reparations Club, this free event invited guests to borrow, bring, or buy a book of their choice and enjoy quiet reading or lively discussion in a welcoming outdoor space. Attendees were encouraged to bring anything that would make them feel at home, from extra pillows to blankets, and enjoy a relaxed evening with books, conversation, and refreshments.The Garvey Garden (2024)
Black Bar Social
May 2024 -
Dorothy Chandler Pavillion. Los Angeles, CA
Black Bar Social is a monthly immersive experience and speakeasy-style social gathering designed to spark public imagination and start conversations about the future of Los Angeles. The price of admission is simply to receive a provocation from the provocateur of the evening. An artist, culture maker, or community partner will design a creative immersive experience for attendees that should give them a peek at the cutting-edge innovations of our time in science, technology, emergent culture, social movements, and the possibility of greater well-being. It is a place to socialize big ideas and, in some cases, make decisions and build relationships that bring those ideas to life in Los Angeles.Nami developed the program in collaboration with transmedia producer Kamal Sinclair, Sr. Director of Digital Innovation at the Performing Arts Center of Los Angeles, as Digital Innovation Fellow at the institution.
See resident artists below (video recaps are linked for each):
A TecLeimert Prospective ft. the Afrokosmic Arc of Ben Caldwell
an immersive event celebrating technology, culture, and innovation. Highlights included AI-driven music, immersive gaming, and The Leimert Park Phone, an interactive installation inspired by Ben Caldwell’s legacy, allowing attendees to contribute messages to the Leimert Park community. The event explored the intersection of art, technology, and Black futures, showcasing TEC Leimert’s role in bridging the digital divide in South Los Angeles.Lauren Lee McCarthy’s Host
an immersive performance that explored the intersection of hospitality, human connection, and AI. Guests were given earpieces that fed instructions from an AI, prompting them to engage with each other while questioning what it means to be a "host" in a digital age. The performance blurred the lines between guest and performer, creating a thought-provoking experience on presence, consciousness, and technology’s role in shaping social interactions.Alex Rivera’s Artificial Intelligence & The Rasquache Realm
AI x Rasquachismo explored the intersection of artificial intelligence and Chicano cultural ingenuity. This immersive event featured new films, exclusive prints, and holograms, sparking dialogue about AI’s potential and risks. The Dorothy Chandler Pavilion was transformed into a sci-fi cumbia cantina with live soundscapes by DJ Ganas, setting the stage for participatory discussions on technology’s societal impact. Curated by filmmaker Alex Rivera, the evening blended cultural reflection with cutting-edge exploration, challenging guests to rethink the role of technology in shaping the future.an innovative AR performance by Sultan Sharrief, exploring ancestral themes through movement and custom AR masks. The event included dance workshops connecting participants to their roots, an interactive worldbuilding session, and collaborative exercises focused on generative AI and decentralized technology. Guests also enjoyed somatic healing sessions, volumetric recording, and an AI Photo Booth, creating an immersive experience at the intersection of digital art, personal growth, and social impact.
Mashinka Firunts Hakopian‘s The One Who Looks at the Cup
an event blending the ancient practice of Armenian coffee cup reading with cutting-edge technology. The event featured the training of an AI model in the ancestral art of divination, using readings from Southwest Asian and North African (SWANA) communities, alongside oral histories focused on liberatory futures. By incorporating both Armenian and English datasets, the AI generated bilingual outputs, honoring LA's diasporic linguistic diversity. The experience explored the intersection of ancestral knowledge and emerging technologies, envisioning collectively authored futures.
Mashinka Firunts Hakopian‘s The One Who Looks at the Cup
an event blending the ancient practice of Armenian coffee cup reading with cutting-edge technology. The event featured the training of an AI model in the ancestral art of divination, using readings from Southwest Asian and North African (SWANA) communities, alongside oral histories focused on liberatory futures. By incorporating both Armenian and English datasets, the AI generated bilingual outputs, honoring LA's diasporic linguistic diversity. The experience explored the intersection of ancestral knowledge and emerging technologies, envisioning collectively authored futures.Bloomscapes
with Music Off the Walls, March - May 2024
Jerry Moss Plaza. Los Angeles, CA
Created by PANDAKERO under the creative direction of EyeJack's founder and renowned digital artist Sutu, "Bloomscapes" is an AR sculpture showcasing a flock of abstract sound creatures which take over the skies while emanating a serene soundscape throughout the plaza. Visitors to The Music Center can also engage with the AR sculpture by amplifying their interaction on the Jerry Moss Plaza large screens.Music off the Wall: An EyeJack Experience was a gallery bringing musical experiences to life from a flat image on the wall. Each piece offers a unique combination of animation, musical genre, tone and potential affinities or intentional discord. The combination of works provokes questions like: Is this the next innovation of the music video? Is this the next way we connect to micro-music forms, like those abundant in social media, as computing technology goes spatial? This was an exhibition of The Music Center’s Digital Innovation Initiative with EyeJack in-residence.
Indiecade Night Games
November 2023
Indiecade & The Music Center. Los Angeles, CA
Nami collaborated on curating and orchestrating IndieCade Night Games, an evening dedicated to celebrating the vibrant world of independent video games. This unique event with IndieCade Festival showcased a carefully selected lineup of indie games, each pushing the boundaries of creativity and innovation. Attendees were immersed in an atmospheric setting where they could directly engage with developers, explore interactive installations, and experience the diverse spectrum of indie gaming at its finest. IndieCade Night Games epitomizes the spirit of independent game development, fostering a community-driven atmosphere that celebrated creativity, diversity, and the boundless possibilities of interactive entertainment.Anansi Radical Conflux
September 2023
Leimert Park. Los Angeles, CA
Nami faciliated workshops for Anansi Revolutionary Collective’s Conflux, in which participants in Los Angeles and Nairobi co-created music via teleperformance. The Los Angeles satellite took place as an exhibit in TEC Leimert’s Black to the Future Conference 2023. A radical remote/hybrid collaboration process, confluxes at their core emphasize process over product. It uses a variety of virtual tools for artists to teach each other new skills in real time, including but not limited to:- Gather.Town: a web-conferencing platform that allows a number of people to operate together or split into smaller rooms.
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Various DAWs: BandLab, Ableton, Studio One, Pro Tools, or any other major DAW. This provides the highest quality audio and control from the source, and gives a lot of room for experimentation and programming.
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Sonobus as a low-latency media transfer, that sends audio and MIDI over a private network. This is what allows multiple spaces to work togeher simultaneously at low-latency, which is vital for Confluxes that spread across various time-zones.
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ZeroTier as a private network tool to connect all devices directly, and further lower latency that would be encountered over normal networking. This also gives us the freedom to have whatever network configuration we desire.
- Figma as an interactive design tool to map the Conflux plan and interactions. While any design tool works, we prefer to use Figma as part of our design process.
FLUX (April 2022) | New York, NY
was a panel and art exhibition featuring New York-based artists organized with the Columbia University chapter of APAHM, or Asian and Pacific Islander Heritage Month. As Arts & Social Activism Chair of Columbia Uni. APAHM, Nami led the programming of the activation.select productions, as artist
Speakeasy Podcast
(2024- ) Los Angeles, CA
is an experimental podcast produced by Nami in collaboration with producer/filmmaker Janice Duncan. Episodes feature conversations and interviews with the provacateur and with attendees of the Black Bar Social, delving into the provocative questions on the future of culture posed during the evenings. Themes include: the future of labor and technology in relation to historically marginalized communities, Afrofuturist visions for the future of society, the relationship between ancestors and their progeny, AI and social logics of hospitality, and the role of ancestral intelligence and diasporic worldmaking in emerging technologies. The podcast extends the impact of the program beyond the physical space of the Dorothy Chandler Pavillion and fosters broader dialogue about the future of cultural and technological innovation. Nami leads the production of the podcast, designing and executing interviews, authoring the script, composing the soundtrack (and other ambient sound design capturing the live essence of the event), and spearheading the audio editing of the 60-minute episodes.
Flood of Memory
(2024) Manzanar, CA
Flood of Memory is a documentary by Maya Castronovo shedding light on children’s experiences of incarceration during the internment of Japanese Americans during World War II. Nami composed and recorded the soundtrack for the documentary. Listen to “uguisu song” (nightingale song) and “kazoku shashin” (family photo) here.
The film will be screening in Spring 2024 at Yale University, Wisconsin Film Festival, and NFFTY in Seattle. It can now be streamed on Director’s Library.
The film will be screening in Spring 2024 at Yale University, Wisconsin Film Festival, and NFFTY in Seattle. It can now be streamed on Director’s Library.
they never told us these things
2023 - | New York, Osaka, Seoul
they never told us these things is an immersive, multimedia sound installation that was first held in March to April 2023 as Nami’s Artist-in-Residency showcase at the Movement Lab in NYC. Alternative iterations of the project were held in Osaka, Japan (see below) in July 2023 and Seoul, Korea in December 2023 to January 2024.
灯台下暗し
(July 2023) Osaka, Japan
is a multimodal sound installation that was held in Osaka, Japan in July 2023 as a reiteration of they never told us these things. This iteration centered Japanese voices and experiences of nuclearization.
등잔 밑이 어둡다 (December 2023-January 2024) | Seoul, South Korea
was screened at CICA Museum in Seoul, South Korea in Contemporary Landscapes, an international exhibition running from December 13, 2023 to January 17, 2024.tntutt: screendance
(2023) New York, NY
they never told us these things: screendance is a short film filmed as a companion to the aforementioned installation of the same name. A collaboration between Nami (music, sound art, projections), Christine Lin (director, dancer), and Tobi Lee (main dancer).
azine
2022 - | New York
azine is an Asian/American Art Collective centering queer and women-identifying artists in New York. As co-founder and head of curriculum, Nami programs and executes biweekly arts workshops that facilitate conversations about identity and community care. The collective also organized teach-ins in collaboration with the Center for the Study of Ethnicity & Race (CSER) at Columbia University, to advocate for the departmentalization of the center and hiring of more tenured-track professors of color, and the Consortium for Critical Interdisciplinary Studies (CCIS) at Barnard College, for greater investment in Asian American Studies. The co-founders of azine published a cumulative zine resulting from these workshops in May, 2023.
wild wild east
2022 - 2023 | New York, NY
Wild Wild East is a hybrid talk/music radio show hosted by Nami and her friend, Christine. They co-authored weekly episodes on the transnational circulations of music emerging from East Asia.
what does america stand for? (2022)
New York, NY & Hiroshima, Japan
what does america stand for? is a zine Nami created during her fellowship at the Athena Center for Leadership. Over the four months of the fellowship, she researched the intimacies of irradiated experience between disparate communities from Hiroshima to the Northwest Territories. She presented her research at the Athena Showcase in December 2022. The zine can be found in the Columbia University Library Barnard Zine Collection.